In the Nodes window in the top left of the screen, drop down the menu that says "Clip" and select "Group Pre-Clip" instead. Select the first clip in your timeline. A Green link should appear next to each clip. Right mouse click on the selected clips and choose "Add into New Group". Select all of your clips in the middle of the screen (select the first, scroll to the end, hold down Shift, and select the last). Navigate to the "Color" tab after dragging all of your clips into the timeline in the above steps. If you want to add a LUT before transcoding your media, you can do so in Resolve. Click "Add to Render Queue" and then click "Render" on the right side of the screen. All other settings are optional - refer to a Lab Assistant if you are having trouble understanding any of them. You can also rename your files at this point, but we do not recommend doing so, as relinking media with different file names can occasionally be problematic. Set your destination by clicking "Browse" and selecting a new folder on your hard drive for proxy media. For Premiere, choose "Quicktime" under Video Format and "Apple ProRes 422 HQ" under codec. For Avid, choose "MXF OP-Atom" under Video Format and "DNxHD 1080p 145/120/115 8-bit" under codec. In the Render Settings window, select "Individual Source Clips". Now navigate to the "Deliver" tab on the bottom of the screen. Select all of your clips and drag them into the new timeline. Right mouse click in the Timelines window and select "Create New Timeline". Now navigate to the "Edit" tab on the bottom of the screen. Change your project settings to match the imported clips if prompted. 
Select it, right mouse click, and choose "Add folder and subfolders to media pool". Under the Media Storage window in the top right hand side of the screen, navigate to the footage on your hard drive.Open DaVinci Resolve and make sure you are on the "Media" tab on the bottom of the screen.You can use DaVinci Resolve in the Post Production Labs or by downloading the free lite version of Davinci from Blackmagic.
However, creating proxies in Premiere or Avid may be a more streamlined workflow. Why DaVinci Resolve?ĭaVinci Resolve is a good option to transcode your footage because it is well-equipped for handling 2K and 4K video and because the workflow allows for adding burned in LUTs. Creating proxy media is a great way to speed up the editing process without impacting your final product. Certain video codecs in any resolution are also not ideal for editing. When you shoot in 2K or 4K, it's not advisable to use that footage for editing, as the high level of information contained in every frame will slow you down.
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